How to write in the third person
Show the actions and words of other characters, not their thoughts and feelings. The author knows only the thoughts and feelings of the main character from whose perspective the story is being told. However, he can describe other characters as the protagonist sees them. The narrator can do all the things that his character can do; he just pay to write paper cannot know what is going on in the heads of the other characters.
The writer can speculate or guess as to the thoughts of other characters, but only from the point of view of the protagonist.
Correct: "Tiffany felt terrible, but seeing the look on Carl's face, she knew he wasn't better off either--if not worse."
Wrong: "Tiffany felt terrible. What she didn't know, however, was that Carl felt even worse."
Don't reveal information that the hero doesn't have. Although pay for essay correction the narrator can digress and describe the scene or other characters, he or she should not talk about anything the hero does not see or know. Do not jump from one character to another within a scene. Other characters' actions can only become known if they occur in the character's presence (or he learns about them from someone else).
Correct: "From the window Tiffany saw Carl walk up to the house and ring the doorbell."
Wrong: "As soon as Tiffany left the room, Carl breathed a sigh of relief.
Switch from one character to another. Limited narration on behalf of several characters, called focal characters, means that the author leads the story from the point of view of several characters in turn. Use https://payforessay.pro/programming-homework-help/ each one's vision and thoughts to reveal important information and help develop the story.
Limit the number of focal characters. You should not write from the point of view of multiple characters so as not to confuse the reader or overwhelm the work. Each focal character's unique perspective should play a role in the narrative. Ask yourself what each of them contributes to the development of the story.
For example, in a romantic story with two main characters, Kevin and Felicia, the author can give the reader a sense of what's going on in their hearts by describing events alternately from two perspectives.
One character may be given more attention than the other, but each focal character should get his or her share at some point in the development of the story.